Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jan Frans van Douven
Portrait of Anna Maria Luisa de' Medici, Electress Palatine (1667-1743)

ID: 93891

Jan Frans van Douven Portrait of Anna Maria Luisa de' Medici, Electress Palatine (1667-1743)
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Jan Frans van Douven Portrait of Anna Maria Luisa de' Medici, Electress Palatine (1667-1743)


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Jan Frans van Douven

Jan Frans van Douven, or Johan Francois Douven, (Roermond, 2 March 1656 - Desseldorf, 1727) was a Southern Netherlandish portrait painter belonging to the Dutch Leyden School. Born in Roermond, he spent most of his life as Court painter in Desseldorf, now in Germany, where he created most of his worksDate circa 1695(1695) Medium oil   Related Paintings of Jan Frans van Douven :. | Portrait of Anna Maria Luisa de' Medici, Electress Palatine (1667-1743) | Anna Maria Luisa de' Medici in profile | Johann Wilhelm von Neuburg with his wife Anna Maria Luisa de' Medici | Anna Maria Luisa de' Medici in hunting dress | Portrait of Johann Wilhelm, Elector Palatine (1658-1716) |
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William Havell
English Painter, 1782-1857
Ferdinand Victor Eugene Delacroix
Charenton Saint Maurice 1798-Paris 1863,was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish writer Sir Walter Scott, and the German writer Johann Wolfgang von Goethe. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on color and movement rather than clarity of outline and carefully modeled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic.Friend and spiritual heir to Theodore Gericault,
HUBER, Wolf
German Northern Renaissance Painter, ca.1490-1553






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